About IWI Music Publishing
Our IWI Publishing Story
Our newest venture added in November 2023. As I work with up and coming artists,
I will leverage my personal relationships in the Independent Music World
and my Publishers contracts with BMI and ASCAP to create win-win relationships that help distribute
YOUR music to the world with Major Label Impact, but without the Major Label fees and headaches of discount houses.
My vision for doing this is
that Music helps you remember your best days , and forget your worst.
It brings a smile to my soul.
The Business of Music and How IWI can Help
Take Note that 74% of all Listens on Spotify come from Labels. Spotify identifies that in their prospectus to investors, acknowledging that if the labels don't support them, then they can't deliver the financials.
I am a Talent Scout for Blues Highway Records for the Mid-Atlantic area. It is a part of The Orchard / Sony Distribution network, owned by Doug Deforest
I am also a Talent Scout for DKM Records for the Mid-Atlantic area. This also is associated with The Orchard/Sony Distribution, owned by my Friend Doug Deforest. This label functions as an aggregator in many ways, as a healthy relationship driven alternative to the discount distribution models that are low cost, but low relationship.
Thru Cherokee Village West Promotions, i have access to team you up with a Spotify Whisperer that know the right algorithms and the right Sony legal approved Playlists.
https://youtu.be/vPACQjTQwNQ?si=17JRms96cRpZcCeF
Suggested viewing about royalties from a company that packages music royalties into mutual funds. A publisher does the background work of helping to monetize the music, and collecting the monies due, via a % contract.
My Logo for my Publishing business, find me on Facebook and this page on www.interludeswithimpact.com
Here is my 48 step checklist to releasing a new song, with all the data in one spot for the PRO, Label, Sync, and Royalty metadata .
Compare hiring IWI as a Paid Consultant vs Joining IWI as a Publishing Client. Its a 50/50 % deal on Publishing royalities. We don't get paid unless you get paid. And we do the leg work of finding Royalties and Sync opportunities.